Geek Cinema: 'The Social Network' vs 'The Man in the White Suit'

I recently watched a film that dramatically evoked the disruption caused by geeky inventors, the difficulties they have getting funded, and the forces that combine to oppose them in the name of the status quo.

Sadly, this wasn't at last night's showing of The Social Network, but watching the 1951 Ealing comedy The Man In The White Suit on my phone while flying home.

The Social Network has zinging dialogue, tilt-shift rowing at Henley, and has lawyers as its most sympathetic characters. Most of its humour comes from heavy-handed prefiguring of Facebook's eventual success; clearly you can't spoil the ending, so the trailer just recaps the whole film:

The opening hacking scene, dramatized almost verbatim from Zuckerberg's blog at the time, is perhaps the best 'using a computer' scene in a movie yet - Mark should get a screenwriting credit. But the mythical girlfriend who dumped him and his reactions to that - 'cyberbullying', seeking fame, plaintively hitting refresh on the friend request - that frame the film are a disappointing narrative touch that duck the chance to try to explain his real motivation. Apart from the lawyer, all the women in this film are purely sex objects - when Zuck is asked 'What are the girls going to do?' and replies 'Nothing', that's clearly Sorkin talking.

In contrast, The Man in the White Suit has Alec Guinness inventing a monomolecular fibre that can't break and naturally repels dirt. To do this he has to get to work into labs at textile factories under false pretenses, and when he eventually succeeds, provokes a hostile reaction from both the factory owners and the unionized employees, who want to suppress his work. If you haven't seen it, Amazon and Netflix have it.

Here, the motivation to invent something new and exciting is expressed well, and the technology behind it is plausibly explained. Guinness inspires Joan Greenwood with his idea, and she researches it and champions him to get his work funded. The women in this sixty-year-old film are well-drawn characters, with motivations of their own. They are peers and colleagues to Guinness's Stanley, not sex objects; indeed that is directly challenged. The film is stronger and more emotionally powerful for it.

Both films capture the ascetic geek intensity and focus well, but Sorkin and Fincher want to tear it down, whereas MacDougal and MacKendrick see the Innovators Dilemma clearly 45 years before Christensen did. As Lessig says, The Social Network portrays a legal system that preys on invention, not supporting it; the Man in the White Suit has the inventor's notebooks establishing rights that he needs to be paid for.

Conversely, to get his invention out to people, Stanley needs to convince the very industry he is disrupting to adopt it, whereas the existence of the Internet and it's open protocols mean that Zuckerberg was able to get his idea adopted by thousands with a small loan from a friend.

Technology has made a lot of progress in 60 years, but judging by this new film, law and women's roles have gone backwards.

An open letter to Jack Valenti and Michael Eisner

Jack, in your sneering Washington Post piece about copy protection, you refer to professors for whom ‘"innovation" is legalizing the breaking of protection codes’. Michael, in your testimony to congress you badgered an Intel exec until he told you that file copying can't be prevented, then told him he must prevent it anyway.

As you are evidently impervious to logical discussion, let me tell you a story.

This is the story of a rebel, a war hero, a persecuted homosexual, and a deep thinker. His life reads like the plot of a far-fetched movie, but if anyone fits your bogeyman image of professors who break code, it is Alan Turing.

In 1936 Turing published a paper on theoretical mathematics, in which he described the Universal Turing machine. It was a simple mechanism that could read symbols from a tape, and write back different symbols or change the tape's direction. He showed that with this general purpose machine, you could simulate any special purpose computing machine. He had invented the idea of the programmable computer.

Between 1938 and 1945, Turing worked in great secrecy on computing machines that broke codes. These were the first real computers ever made, and the codes they broke were those used by the German Wehrmacht. Without his work, it is very likely that Britain would have lost the War in Europe before Pearl Harbour.

After the war, in 1950 Turing published other famous papers that laid the foundation for modern computing, and hence all the digital gadgetry that you would like to outlaw for us (though presumably you'd keep the computers you use to edit and create effects for your movies). Turing died in 1954 by biting into an apple he had previously poisoned.

What does this story have to do with you?

Turing's Universal Machine means that you cannot have a software or hardware protection scheme that is secure. Whatever scheme you come up with can be simulated by another computer. The computer industry are not opposing your bill because they want to encourage copying, or because they are bloody-minded, they are not opposing you because of your self serving rhetoric about rewarding artists (remember Peggy Lee, Michael?), they are opposing you because what you want is provably impossible. You can only succeed by making all Turing machines illegal.

If Alan Turing had made an animated film involving a poisoned apple in 1936, it would still have copyright protection. He chose a different path, and gave the world the idea of the digital computer. I know whom I respect more.