After seeing and enjoying Charlie and the Chocolate Factory, I realised the boys hadn't seen Edward Scissorhands, so we watched that together too.
Seeing them consecutively made me realise that they both are parables of how it is to be a geek in the world. The way Edward Scissorhands gently satirises Californian suburban life was much clearer now I've been living it for a while. At it's core, though, it is a classic 'geek versus jock' battle over a girl, but there is a lot of layered subtext about trying to make sense of unusual abilities in an world with other assumptions.
The father of Edward's adoptive family waxes lyrical on Ed going into business on his own "There's nothing like running your own business. I've never done it myself, but from what I gather it's the greatest satisfaction a working man can have. So I guess the bank's going to be your next step, huh?"
His loan is of course denied through blank incomprehension, and he is led into crime.
Charlie and the Chocolate Factory, by contrast, has Depp as a post-dotcom bubble geek, with enough money to indulge his rococo taste in factory design and furnishings. It also has a darker subtext, with Wonka's paranoia about his secret formulae being stolen, and his mass onshoring by replacing the local workforce with imported Oompa-Loompa's who literally work for beans.
In both films a good, ordinary family is the path to redemption, but Edward ends up estranged and alone, making beautiful sculptures no-one sees; Wonka, by contrast, brings Charlie's family into his own hermetic world. I'm not sure if either of these is a moral ending, though.
Sunday 28 August 2005
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