Epeus' epigone

Edifying exquisite equine entrapments

Sunday, 28 June 2009

Celebrities - social objects or fake friends?

With the prominent celebrity deaths this week flooding our many publics, friends are pushing back. Doc writes:

obsessing about celebrity is unhealthy for the single reason that it is also unproductive. Celebrity is to mentality as smoking is to food. (I originally wrote “chewing gum” there, but I think smoking is the better analogy.) It is an unhealthy waste of time.

Mary responds:

Michael Jackson and other celebs are the replacement for that sort of seriously time consuming difficult religion, because media and post-modernism make it easy [...] If nothing is more important than the individual, but he/she needs to follow something bigger than the self [...] you have the perfect primordial soup to grow the MJ, etc worship replacing organized religion we see now.

I think there are two other components to this - celebrities function both as Jyri's Social Objects the cultural touchstones and shared ideas that we use to bridge our publics, as I have said:

The small number of highly-connected entities that fulfil the role of social objects are sometimes people. If you think about celebrities, they clearly fit- being able to discuss Brad and Jen and Angelina's latest shenanigans binds you in, and shows like American Idol are designed to draw on this need, giving the Faustian bargain of fame in exchange for objectification.

This week, research was published confirming this:

"The very experts who could kind of inform everyone else don't. They actually keep feeding them the information they already know because that helps establish a connection," Nathanael Fast says.

If this whole argument seems circular, that's the point. Prominent people stay popular for longer than they ought to because they serve as conversational fodder, which in turn drives more media coverage.

"Take Paris Hilton, somehow or another she became well known and now people are more likely to talk about her," Fast says.

This supports Duncan Watts's experimental work on self-feeding fame.

But there is another component to this as well - that we perceive celebrities as part of our social group - they take up one of the slots we have available for modelling and keeping track of other people. My first experience of this was when I worked at BBC Elstree, and said hi to some oldish chap I recognised in the corridor, later realising that he didn't know me at all - he was Arthur from EastEnders. (Now I've done a bit of public speaking this happens to me in reverse now and then - people who've seen me speak somewhere later on come and say hello, remembering it as a conversation). danah's classic Fakesters discussion touches on this too, with Friendster's symmetric Dunbar assumptions confounded by users wanting to connect through the famous; whereas MySpace and especially Twitter have embraced the fundamental asymmetry of who pays attention to whom in this way.

My take is that while Doc is right about the time-sink of celebrity for it's own sake, which may be an example of losing a useful person-slot to a synthetic creation. Mary's implication that there is a God-slot there is perhaps supported by Robert Wright's argument that the God as human-like role model can have good influences on us.

Certainly, being aware of our own choices of 'fake friends' to act as role models is likely to be better than having to choose them from a limited 20th century media model.

Posted by Kevin Marks at 11:57 7 comments:
Labels: danah boyd, social networks, social objects, Twitter

Monday, 22 June 2009

Farewell to Google

I'm no longer working for Google. I had an interesting time there and worked on lots of fascinating projects with great colleagues, so this is a small look back at some of them.

My first taste of Google was to work on orkut, before starting the project now known as Google Profiles, which was first launched in Google Maps, and is now seen across Google and the wider web. I then worked on the engineering side of OpenSocial, before its launch. Realising that Google had thousands of engineers, but very few comfortable speaking in public, I became a Developer Advocate, working to bridge external and internal developers, explaining the Social web to Google and OpenSocial and more to the wider web community.

I've spent most of my time working on building and promoting open web standards, both inside the company and out. I helped launch the Social Graph API, promoted OAuth and OpenID, helped converge Portable Contacts with OpenSocial, and explained how the Open Stack fits together. I helped promote Microformats within Google and without and am very pleased to see them showing up in Rich Snippets in search. The Activity Streams effort continues this web-wide work to build social infrastructure to make the web more social.

I'll still be working on web standards through the groups above, the Open Web Foundation, the Open Rights Group, and more. Professionally, I'll be coding, writing and speaking on the social web via several new projects. I hope to see many of you this week when I'm talking to the SFAMA on Thursday night, and hosting the Microformats 4th Birthday party on Friday.

If you want to get hold of me, I'm kevinmarks on most social networks, domains and of course Twitter. Or just google me.

Posted by Kevin Marks at 11:59 65 comments:
Labels: google, Kevin Marks, Social Cloud, Social Web
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About Me

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Kevin Marks
Kevin Marks works on IndieWeb and open web tech. From 2011 to 2013 he was VP of Open Cloud Standards at Salesforce. From 2009 to 2010 he was VP of Web Services at BT. From 2007 to 2009, he worked at Google on OpenSocial. From 2003 to 2007 he was Principal Engineer at Technorati responsible for the spiders that make sense of the web and track millions of blogs daily. He has been inventing and innovating for over 25 years in emerging technologies where people, media and computers meet. Before joining Technorati, Kevin spent 5 years in the QuickTime Engineering team at Apple, building video capture and live streaming into OS X. He was a founder of The Multimedia Corporation in the UK, where he served as Production Manager and Executive Producer, shipping million-selling products and winning International awards. He has a Masters degree in Physics from Cambridge University and is a BBC-qualified Video Engineer. One of the driving forces behind microformats.org, he regularly speaks at conferences and symposia on emergent net technologies and their cultural impact.
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