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Friday, 8 December 2006

Petitio Post Mortem

Larry Lessig admits he was wrong about term extension:

If you read the list, you’ll see that at least some of these artists are apparently dead (e.g. Lonnie Donegan, died 4th November 2002; Freddie Garrity, died 20th May 2006). I take it the ability of these dead authors to sign a petition asking for their copyright terms to be extended can only mean that even after death, term extension continues to inspire.

I’m not yet sure how. But I guess I should be a good sport about it, and just confess I was wrong. For if artists can sign petitions after they’ve died, then why can’t they produce new recordings fifty year ago?

Meanwhile, the Open Rights Group is running a Release The Music campaign, with a petition you can sign. There's also one asking for the right to privately copy CDs to iPods.


Are my readers as good at signing petitions as dead musicians?


Technorati Tags: copyright, law, music, Open Rights Group, ORG

Posted by Kevin Marks at 16:53

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Kevin Marks
Kevin Marks works on IndieWeb and open web tech. From 2011 to 2013 he was VP of Open Cloud Standards at Salesforce. From 2009 to 2010 he was VP of Web Services at BT. From 2007 to 2009, he worked at Google on OpenSocial. From 2003 to 2007 he was Principal Engineer at Technorati responsible for the spiders that make sense of the web and track millions of blogs daily. He has been inventing and innovating for over 25 years in emerging technologies where people, media and computers meet. Before joining Technorati, Kevin spent 5 years in the QuickTime Engineering team at Apple, building video capture and live streaming into OS X. He was a founder of The Multimedia Corporation in the UK, where he served as Production Manager and Executive Producer, shipping million-selling products and winning International awards. He has a Masters degree in Physics from Cambridge University and is a BBC-qualified Video Engineer. One of the driving forces behind microformats.org, he regularly speaks at conferences and symposia on emergent net technologies and their cultural impact.
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