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Edifying exquisite equine entrapments

Monday, 3 February 2003

A change of tide?

I notice that the immanent changes in how music generates cash is getting more and more coverage.
Janis Ian points out that the latest RIAA lawsuit threatens musicians more than ISPs; John Snyder writes a long piece in Salon reiterating (and linking to) many of the arguments from the last year, but with the aim of getting NARAS to counterbalance the RIAA.
Harvard Law have a great roundup of key papers and a good summary.
William Fisher's upcoming book again looks thorough, but judging by the introduction leans far too closely to the model of indirect payment via taxation of loosely-related goods and statistical sampling of 'watermarks', as Neil Netanel similarly proposes. This scheme will never be flexible enough to get much further down the Zipf distribution of media creation than the top fraction of a percent that the exisiting publishing model serves. Jonathan Peterson explains what 'amateur' really means.

(Oh, and Maf, I spelled 'immanent' right).
Posted by Kevin Marks at 02:42

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Kevin Marks
Kevin Marks works on IndieWeb and open web tech. From 2011 to 2013 he was VP of Open Cloud Standards at Salesforce. From 2009 to 2010 he was VP of Web Services at BT. From 2007 to 2009, he worked at Google on OpenSocial. From 2003 to 2007 he was Principal Engineer at Technorati responsible for the spiders that make sense of the web and track millions of blogs daily. He has been inventing and innovating for over 25 years in emerging technologies where people, media and computers meet. Before joining Technorati, Kevin spent 5 years in the QuickTime Engineering team at Apple, building video capture and live streaming into OS X. He was a founder of The Multimedia Corporation in the UK, where he served as Production Manager and Executive Producer, shipping million-selling products and winning International awards. He has a Masters degree in Physics from Cambridge University and is a BBC-qualified Video Engineer. One of the driving forces behind microformats.org, he regularly speaks at conferences and symposia on emergent net technologies and their cultural impact.
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